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Human Responses to Post-Glacial Sea Level Rise at Red Lili, Arnhem Land

In October 2025, the Australian Research Council announced Rock Art Australia as a successful recipient of the five-year Australian Research Council Linkage Project in collaboration with the Manilakarr Traditional Owners and Njanjma Rangers in Western Arnhem Land, led by Professor Chris Clarkson from Griffith University and his team.

Human Responses to Post-Glacial Sea Level Rise at Red Lily, Arnhem Land, will explore how dramatic post-glacial sea level rise reshaped landscapes, environments, and human societies in the Greater Red Lily Lagoon area.

Co-designed with the Manilakarr Traditional Owners and Njanjma Rangers, and supported by the Northern Land Council, the project integrates archaeological, environmental, and rock art research with Indigenous knowledge to document past cultural responses to climate change and inform future heritage and land management.

This collaborative research will create significant opportunities for Traditional Owners and generate new scientific and cultural records.

RAA is proud to support this collaborative work and congratulates all partners involved, including members of our Science Advisory Council, Professor Chris Clarkson, Dr Tristen Jones, Associate Professor Bastien Llamas, and Dr Helen Green, as well as RAA-supported researchers, including Dr Damien Finch and Dr Kasih Norman.

Before and after the Last Ice Age: GunaiKurnai archaeology along the Snowy

At the request of Gunaikurnai Land and Waters Aboriginal Corporation (GLaWAC), a team of world-class scientists, researchers, and land managers from Monash University, the University of Queensland, the University of Adelaide, the University of Melbourne, the University of Waikato, the University of New England, the University of Savoy, together with Rock Art Australia have partnered to further explore the area around an unearthed ritual site in Clogg’s Cave, Gippsland.

These findings, of what appear to be ritual fireplaces are believed to date back at least 12,000 years, as they reflect the ritual installations documented in nineteenth-century ethnography.

For further reading about the discovery of the ritual fireplaces, you can download “Archaeological evidence of an ethnographically documented Australian Aboriginal ritual dated to the last ice age”, co-authored by (including) Russell Mullett and Bruno David, in Nature Human Behaviour.

READ IT HERE

Groote Archipelago Songlines Archaeology Project

Congratulations to Stevie Skitmore (Australian National University PhD candidate) and the Anindilyakwa Land Council on their successful Rock Art Australia grant to bring Groote Eylandt’s songline stories to life.

The Groote Archipelago Songlines Archaeology Project is working to document the Yinuma songline, a network of stories, song, and kinship connections linking the East Arnhem mainland, Groote Eylandt’s stone country, and Angurrkwurrikba Lake on the east coast.

Bringing together Anindilyakwa researchers, the Anindilyakwa Land Council, and archaeologists, the project combines community knowledge with archaeological methods to better understand how these stories are represented across the landscape, including in rock art.

For Traditional Owners, the focus is on strengthening the transmission of cultural knowledge across generations and reconnecting with places and histories impacted by past disruption, while also supporting land management and future economic opportunities. Initial stages have involved community mapping, recording stories, and undertaking pilot surveys that have already identified more than 130 rock art sites.

The next phase, supported by Rock Art Australia, will expand this work across the full songline route, using targeted surveys, small-scale excavations, and environmental analysis to build a clearer picture of how people lived, moved, and expressed cultural knowledge across this region, over time.

The effects of post-glacial sea level rise on Indonesian archaeology and rock art

In partnership with Rock Art Australia and the Indonesian National Research and Innovation Agency (BRIN), Dr Kasih Norman (Max Planck Institute of Geoanthropology) is leading a research project in Indonesia that explores human cultural and technological responses to rapid climate change and dramatic sea-level rise at the end of the last glacial period, between 14,000 and 9,000 years ago.

The project investigates how these environmental shifts impacted human populations, testing the hypothesis that large-scale marine inundation profoundly influenced settlement patterns, seafaring, rock art styles, and technological innovation.

By examining changes in occupation, artistic expression, and adaptive strategies, the research seeks to shed new light on how ancient communities responded to one of the most significant periods of environmental transformation in human history.

Image: Indonesian colleagues left to right: Dr Thomas Sutikna, Prof. Chris Clarkson, Dr Kasih Norman, Dr Sofwan Noerwidi. Jakarta in 2024 

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Kimberley Visions: Rock art dynamics of northern Australia

Kimberley Visions is a five year landmark study mapping the rock art and occupational history of the Northern Kimberley. It examines shared art styles across northern Australia and explores questions of regionalism and identity. Did similar styles occur between the Kimberley and Arnhem Land? What are our current understandings about shared traditions and why might they have changed through time?

Rock art as a living tradition is realised through a research collaboration with Balanggarra Aboriginal Corporation (BAC) and their Healthy Country Plan. More than 1,200 sites have been located and recorded; 80,000 photographs and several thousand ‘meta-data’ records are being researched with an access-controlled database. These sites include rock art, historic campsites, ochre sources, stone arrangements, quarries and living sites.

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Kimberley Rock Art Virtual Reality (VR) Program for immersive learning, research, conservation and engagement

Dr Louise Shewan, Senior Research Fellow in Archaeological Sciences, in the School of Geography, Earth and Atmospheric Sciences, is leading an extraordinary effort to digitally preserve Indigenous rock paintings in the eastern Kimberley. The ‘VR team’ visited the remote Barking Owl camp site in July 2022, camping alongside the Drysdale River. There, they captured thousands of ultra-high-resolution photographs using cameras and drones, which have since been turned into 3-dimensional computer models that faithfully capture the rock shape to sub-cm accuracy, and the art panel paintings and other surface features to sub-mm accuracy and high colour accuracy. The 3-D models can be viewed on computer screens, projectors, and most importantly for this project, Virtual Reality (VR) headsets.

In July this year, staff and board members from Rock Art Australia joined members of the team and travelled to Kalumburu in the Kimberley, to meet with the community. Part of this visit included spending time with the students from the Kalumburu Remote Community School – one of Australia’s most remote schools – to share some of the results of the project.

Dr Louise Shewan and Dr David Barnes (Inertial Frames) are planning to capture more rock art sites to create further VR content. They will also spend time with the teachers and share more of the VR content and how to use it in the classroom setting.

Rock Art Australia is thrilled to support this project and inspire the next generation of scientists and future rock art site stewards.

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Unlocking Environmental Archives

Research to establish a series of long-duration paleo-environmental and paleo climate reconstructions for the Kimberley region spanning the last 60,000 years has been awarded an Australia Research Council grant of $460,429. The project was seed funded by Rock Art Australia.

The project aims to provide new understanding of the causes of environmental change and impacts on Australia’s Kimberley region since the arrival of Australia’s earliest inhabitants, and to inform conservation policy that will preserve the region’s globally significant rock art against environmental change and economic development. Ultimately all researchers in the Kimberley will be able to access a paleo-environments and paleoclimate e-atlas for the Kimberley.

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NSW Aboriginal Heritage Office Site Information Database

The Aboriginal Heritage Office (AHO) is an award-winning initiative that continues to set high standards for how local NSW governments can work towards improved management and protection of Aboriginal heritage.

The AHO vision is to help protect irreplaceable Aboriginal heritage sites across northern Sydney and Strathfield for generations to come through an Aboriginal Heritage Management Framework at the local government level. This framework incorporates site management, education, and community liaison. The AHO aims to be a successful role model for local governments across NSW.

There are around 900 recorded Aboriginal sites in the partner councils of the AHO, including Lane Cove, Ku-ring-gai, North Sydney, Northern Beaches, Willoughby, and Strathfield. These sites encompass art sites, engravings, burials, artefact scatters, grinding grooves, and extensive shell middens. They hold national and international significance, with some sites dating from 4,000 to 30,000 years old.

Urban sites are heavily affected by modern and historic dense population traffic, pollution, and development. There is a deficit of information about Aboriginal cultural history across northern Sydney, making many of these sites the only remaining record of a well-resourced and culturally rich population.

The Aboriginal Heritage Office has spent 25 years ground-truthing and recording Aboriginal sites across the northern part of Sydney and Strathfield. The project aims to create a database to preserve information regarding these rare and fragile sites.

Having this information in a searchable database with privacy layers has the potential to impact the ability of the AHO and partner Council staff to make appropriate decisions when working on areas of sensitivity. The database also has the potential for greater engagement with members of the Aboriginal community and researchers.

Since the beginning, Rock Art Australia has been supported by a committed community of donors. Their support has enabled groundbreaking research, the establishment of fully endowed Research Chairs, and the sharing of knowledge through public programs, publications, and engagement with universities, schools, and communities across Australia.

Today, this collective effort continues to support leading and emerging researchers, advance the protection of globally significant heritage, and contribute to the knowledge and leadership that will carry this work forward.

We invite you to join this community of supporters and help sustain our work. Your donation can make a real difference in safeguarding Australia’s irreplaceable rock art, advancing research, and sharing these stories for generations to come.

YOU, TOO CAN MAKE A DIFFERENCE!

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